olivia elaine lorber
Fine artist based in Milwaukee, WI
Olivia Elaine Lorber is an artist from Baltimore living and working in Milwaukee, Wisconsin. She received her BFA from the Milwaukee Institute of Art and Design in 2022, where she focussed on narrative figure painting and art history. Olivia has exhibited her paintings at the Miller Art Museum, Walker's Point Center for the Arts, Allen Priebe Gallery, and Var Gallery. In 2023, she concluded her residency with Plum Blossom Initiative’s Bridge Work program and has since continued exploring the combination of painting and drawing mediums. Olivia’s practice exudes themes of memory, emotion, relationships with the natural world, and the surreal.
painting
Acrylic and oil figure painting is a significant part of my studio practice. The figures I create are often symbolic of personal narratives and memories.
drawing
Graphite drawing is the other half of my studio practice. These small scale works are often where my stories begin, inspiring larger paintings later on.
artist statement
I am a Milwaukee based artist creating figurative and environmental paintings that draw upon neoclassical and surrealistic influences. Using a representational style with uncanny distortion in my self-portraiture, I aim to break down the borders between the self and the external. Using a combination of acrylic and oil paints, I explore how the textures and colors of natural forms compare and contrast to my body and thoughts. This exploration is visualized through a myriad of manufactured objects like shipwrecks, corsets, and fabrics harmoniously intertwined with organic forms such as pearls, kelp, shark teeth, and flowers. The figures in my work bear witness to human constructs being reclaimed by nature. Whether that be a sinking ship, or a racing mind coming back down to Earth.
I have found that for every human emotion there is a natural equivalent. I feel my anxiety in thunderstorms and my bravery in the poison of beautiful flowers. By drawing these connections, I develop allegorical scenes where my figures become characters, observers whose eyes were opened to the whimsy around them. We are often taught to question our worthiness, as if one must fulfill some larger purpose or occupy a productive role to be granted a place in society. Painting with the intention of recognizing our innate belonging has challenged my perceptions of abnormality, of productivity, and other imposed ideals. As a self-identified neurodivergent artist, my studio practice has become integral in processing my mental hardships. Representing my deepest emotions through symbols like entangled vines or the blooms of deadly nightshade, it proves to me that while potent, they are miniscule.